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tag: ROCKOVÉ KLÁVESY

04.10. Blue notes on piano. Greetings, readers! Welcome to another installment of Rock Keyboards. This month I’ve written a short blues etude so you can get some authentic blue note riffs into your...
23.09. Billy Preston was an incredible keyboardist who was one of the biggest session aces in 60’s pop music, working with many notable artists like Little Richard, Sam...
29.08. Greetings readers! Welcome to another addition of Rock Keyboards. This month we will continue with part 2 of...
27.07. Greetings, readers, and welcome to another installment of Rock Keyboards. In the next few articles, we will compare the best digital pianos on the...
20.06. Greetings readers, and welcome to another installment of rock keyboards! This month we will continue our discussion about emulating guitars. Last month...
02.05. Greetings, readers, and welcome to another installment of Rock keyboards! This week I wanted to continue our discussion of imitating other instruments with keyboards. So far we've covered saxes, brass, strings and winds. This month, I wanted to speak about emulating guitar. We will be looking at two great solos by guitarists who were also great keyboardists
20.04. Greetings readers and welcome to continue installment of our series on simulating real instrument sounds. We've covered brass and wind sounds so far, so this month I wanted to focus on string sounds.
03.03. Simulating string sounds on keyboards - Greetings readers and welcome to another installment of our series on simulating real instrument sounds. We’ve covered brass and wind sounds so far, so...
24.02. Wind-Blown: Emulating flute and brass sounds. Welcome readers to another installment of Rock Keyboards! This is part three of our article on emulating...
25.01. Some keyboards like my Hammond Sk1 have special patches where you can play one note and have a whole sax section sound in harmony with the bass note. If you want to get a real sax section sound and don’t have a keyboard with this feature, you can play your regular keyboard voicings in a drop 2 style. Look at the musical example, we’ve taken a classic A form II V I progression from jazz piano literature and taken

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